Tetyana yablonska biography

  • Tatiana Yablonskaya - Biography - askART


  • Tetyana Yablonska / Тетяна Яблонська - Secondary Archive Yablonska was awarded the honorary title "Peoples' Artists of the USSR" in 1982, "Artist of Year" in 1997, "Woman of Year" (International Biography Centre, Cambridge) in 2000. She was the winner of the USSR State Prize (Stalin prize: 1949, 1951 and State Prize: 1979), and winner of the Shevchenko state prize of Ukraine (1998).
  • Explore Tetyana Yablonska biography, School of Paris | Malab ... By 1969 Yablonska was creating canvases that synthesized her two previous styles, a synthesis that culminated in the powerful, symbolic Youth (1969) and Silence (1975). In the 1980s she created portraits and numerous landscapes, including Winter in Old Kyiv (1975), The Source (1983), and Old Apple Tree (1986), peaceful compositions painted in.
  • Category : Tetyana Yablonska - Wikimedia In 1991, Tatiana Yablonska a heart attack, she had difficulty walking, says the views from the Windows and from the balcony, flowers on the windowsill, portraits of daughters. Second date - 1999, after a stroke paralyzed the artist, refused the right hand and westerdale new view of the world.


  • Biography.
  • Yablonska is a holder of many Soviet and Ukrainian state awards, in particular 1998 she was awarded the National Taras Shevchenko Prize of Ukraine, and in 2001 – the title of Ukraine’s Hero. In 1956, her painting “Bread” (1949) dedicated to the women’s labor of the Ukrainian peasants, was displayed, among other works, at the Venice.
  • Yablonska was born in Smolensk, Russian Empire.
  • Yablonska was awarded the honorary title "Peoples' Artists of the USSR" in 1982, "Artist of Year" (UNESCO) in 1997, "Woman of Year" (International Biography Centre, Cambridge) in 2000. She was the winner of the USSR State Prize (Stalin prize: 1949, 1951 and State Prize: 1979), and winner of the Shevchenko state prize of Ukraine (1998).

    Tetyana Yablonska Biography - Pantheon

    Tetiana Nylivna Yablonska (Ukrainian: Тетяна Нилівна Яблонська; Russian: Татьяна Ниловна Яблонская; 24 February – 17 June ) was a Soviet Ukrainian artist. Yablonska was born in Smolensk.


    Yablonska, Tetiana - Encyclopedia of Ukraine

    Ukrainian painter and teacher, of Belarusian descent; full member of the USSR (now Russian) Academy of Arts from She studied at the Kyiv State Art Institute (–41) under Fedir Krychevsky and later taught there (–52, –73).


    Tatiana Yablonskaya - Biography - askART

  • – born in Smolensk, Russian Federation, died in in Kyiv, Ukraine – the Soviet-Ukraine female artist, painter. Studied in the studio of Fedir Krychevskyi at the Faculty of Painting of the Kyiv Art Institute (currently, the National Academy of Fine Arts and Architecture). During she was a professor at the Kyiv State Art Institute.
  • Tetyana Yablonska: create for life and live for art | Arthive

      Tetyana Yablonska (Ukrainian: Яблонська Тетяна Нилівна) (24 February – 17 June ) was a Ukrainian painter. Her early vital pictures are devoted to work and a life of Ukrainian people ("Bread", ).

  • tetyana yablonska biography

    1. Tetyana Yablonska (24.02.1917 - 21.06.2005) - Biography ...

    Tatiana Nilovna Yablonskaya (24 Feb , Smolensk – 17 June , Kiev) – Soviet and Ukrainian artist, collected all the awards and held an enviable position, he taught at the Kiev art Academy. Each new artistic and stylistic search was primarily an independent and unique artist.

    Yablonska Tetyana – Ukrainian Art Library

    Tetiana Nylivna Yablonska (Ukrainian: Тетяна Нилівна Яблонська; Russian: Татьяна Ниловна Яблонская; 24 February – 17 June ) was a Soviet Ukrainian artist. Read more on Wikipedia. Since , the English Wikipedia page of Tetyana Yablonska has received more than 40, page views.
  • Yablonska, Tetiana - Encyclopedia of Ukraine

  • Tetyana Yablonska - 85 artworks - painting -

    Tetyana Yablonska has won numerous prizes and honorary titles. Striking dissimilarity of such canvases as Sacking Grain (), The Nameless Heights (), Evening in Old Florence () testifies to the constant artistic quest to the wish to convey her own sense of time.