At the time of its publication, Nima Yushij's “Qoqnus” (The Phoenix) emerged as a radical departure from the norms and conventions of classical Persian. Nezam Vafa (1883-1960), one his teachers, took Nima under his guidance and encouraged him by reading his poems and helping him to improve his poetic abilities. Nezam Vafa was himself a lyric poet who wrote simple love poems in the classical style. Nima in his speech to the First Congress of Iranian Writers, 1946, in Tehran, Nima Yushij said.
At the time of its publication, Nima Yushij's “Qoqnus” (The Phoenix) emerged as a radical departure from the norms and conventions of. Nima Yooshij or Nimā Yushij (11 November 1895 – 6 January 1960; Persian: نیما یوشیج), [1] [2] also called Nimā (نیما), née Ali Esfandiari (علی اسفندیاری), was a prominent Iranian poet.
Nima, who was educated at a French catholic school in his childhood naturally had good French and was well informed about Western tradition. Nimā Yushij (Persian: نیما یوشیج) (November 12, 1895 – January 6, 1960), also called Nimā (نیما), born Ali Esfandiāri (علی اسفندیاری), was a contemporary Tabarian and Persian poet who started the she’r-e now (شعر نو, “new poetry”) also known as she’r-e nimaa’i (شعر نیمایی, “Nimaic.
(PDF) Nima Yushij -
Nima Yooshij or Nimā Yushij (11 November – 6 January ; Persian: نیما یوشیج), [1][2] also called Nimā (نیما), née Ali Esfandiari (علی اسفندیاری), was a prominent Iranian poet.
Nima Yooshij Biography - Pantheon
He was a contemporary Tabari (Mazandarani dialect) and Persian poet who started a new movement in Persian poetry called she’r-e no ("new poetry") or sometimes called she’r-e Nimaei (Nimaic poetry). He grew up in his native village of Yosh and used to help his father with the farm and cattle. Nima Yooshij - Wikipedia
Nimā Yushij (Persian: نیما یوشیج) (November 12, – January 6, ), also called Nimā (نیما), born Ali Esfandiāri (علی اسفندیاری), was a contemporary Tabarian and Persian poet who started the she’r-e now (شعر نو, “new poetry”) also known as she’r-e nimaa’i (شعر نیمایی, “Nimaic. Essays on Nima Yushij - Wikipedia
At the time of its publication, Nima Yushij’s “Qoqnus” (The Phoenix) emerged as a radical departure from the norms and conventions of classical Persian poetry. Nima employed phoenix symbolism in this poem to present his zeal for a literary renaissance. Yushij: Father of modern Persian poetry - Tehran Times
"This paper aims at comparing Nima Yushij’s poem Qoqnus and George Darley’s poem The Phoenix in terms of theme, symbolization, and context. زندگینامه نیما یوشیج | بیوگرافی، آثار و اشعار پدر شعر نو نیما یوشیج، شاعر معاصر و پدر شعر نوی فارسی است. او با ایجاد تحول و تغییر در ارکان شعر کلاسیک ، سبک جدیدی از شعر را ابداع و معرفی کرد. - کجارو.“The Phoenix” by Nima Yushij and George Darley: The Poet-bird ... In his speech to the First Congress of Iranian Writers, 1946, in Tehran, Nima Yushij said: "My first years of life were spent among the shepherds and horse-herders who, in their seasonal movements from one grassland to another, every evening sat round the fire on the Mountainside for long hours.3 Nima Yooshij Poems: Modern Farsi Poetry Other articles where Nima Yushij is discussed: Persian literature: Modern Iran: Nima Yushij was the first to propose a radical renewal of Persian poetry, not only of its contents but also of its prosody and imagery, but he found the opposing forces of tradition to be very strong. His earliest poems, influenced by French Romanticism and. نیما یوشیج - ویکیپدیا، دانشنامهٔ آزاد
Among the poets who continued their experiments towards a radical modernization of Persian poetry, it was Nima Yushij () who took revolutionary measures to establish a new perspective in Persian poetry. Nima Yooshij نیما یوشیج –
Essays on Nima Yushij: Animating Modernism in Persian Poetry is a book edited by Ahmad Karimi-Hakkak and Kamran Talattof, in which the authors examine the question of poetic modernity in She'r-e Nimaa'i.
Persian Language & Literature: Nima Yoshij - Iran Chamber
Nima Yooshij (Nima Ali Esfandiari ) was a renowned Persian poet and an influential figure in modern Persian literature. He is widely regarded as the father of “she’r-e no,” or new poetry, which revolutionized Persian poetry at the start of the 20th century.